electric synth piano
The method is dull and I'm proud of it — a electric synth piano, a quiet room, the delete key.
The room is part of the instrument; I record it as much as the electric synth piano.
Owed to Erik Satie, Claude Debussy, Ludovico's quiet school. The rest I took by accident.
Entropy is the whole subject, really — the electric synth piano just circles it.
Between the notes I left in as much entropy as I could.
That is all it wants to be.
“Space and Time” came from a long look at entropy, and then refused to leave.
It is space ambient, so nothing hurries — the electric synth piano is allowed to just sit in the room.
Made small, on purpose.
Everything on “Chronospectrum” grows out of one thing: spacetime.
The electric synth piano does the thinking here; I only choose what to keep.
It isn't a message — it's company for a particular hour.
Telescope images and theoretical physics turned into slow, glowing sound.
The work sits in space ambient: electric synth piano as signal path, shaped around galaxies and spacetime rather than melody-first.
Output to date — “Chronospectrum”, “Space and Time” — is one evolving patch, refined release to release.
Erik Satie · Claude Debussy · Ludovico's quiet school · Federico Mompou · Harold Budd
Runs occasional low-capacity shows around the UK — tiny rooms, minimal PA, no fuss. Not publicised widely. Enquiries for intimate dates welcome.
In the lineage of Erik Satie · Claude Debussy · Ludovico's quiet school · Federico Mompou · Harold Budd
